field-0

Field-0, co-founded by Jingru (Cyan) Cheng and Chen Zhan, is a relation-oriented practice working across architecture, anthropology, art and film.

Through a nomadic mode of fieldwork, they investigate how planetary systems become lived realities. Following drifting bodies—whether sand, water or migrant workers—across rivers, reservoirs, energy infrastructures, borderlands and emerging computational territories, journeying becomes a method in itself. Their own travelling bodies become instruments of inquiry, tracing relations that only emerge through movement between distant places and forms of life. Through immersive installations, moving image and spatial interventions, they create situated encounters in which abstract systems are brought into collective experience.

Field-0’s recent solo shows include How Much Wattage Is One Handbreadth of Water (Storefront for Art and Architecture, New York, 2025), Ripple Ripple Rippling (Architectural Association, London, 2024) and Hydroelectric Spectre (Bangkok Kunsthalle, 2026), as well as participation in the Singapore Biennale: Pure Intention (2025-26) and Monsoon School (deCentral Chiang Mai, 2026). Their film work received the Architecture Short Film Award at the Milano Design Film Festival (2024) and the Best Short Film at the Venice Architecture Film Festival (2023).

Cyan was awarded the Harvard GSD’s 2023 Wheelwright Prize for Tracing Sand, and received two commendations from the RIBA (Royal Institute of British Architects) President’s Awards for Research in 2020 and 2018. Her work has been exhibited as part of Critical Zones at ZKM Karlsruhe, Germany (2020–22), Seoul Biennale of Architecture and Urbanism (2019) and Venice Architecture Biennale (2018), among others. Cyan holds a PhD by Design from the Architectural Association and currently teaches part-time at the Royal College of Art in London.

Chen is an artist, independent filmmaker, anthropologist and UK-registered architect. She previously worked at Heatherwick Studio in London on high-profile international projects, including the Changi Airport Terminal 5 in Singapore, Google Gradient Canopy Headquarters in California, the Bund Finance Centre in Shanghai, and Maggie’s Cancer Care Centre in Leeds, UK.

They are CCA-Mellon fellows at the Canadian Centre for Architecture.

在野「field-0」由程婧如与占晨共同创立，以田野为方法，游走于建筑、人类学、艺术与实验影像之间。她们的实践以关系为导向：由脉络梳理，到审慎介入，以推动修复行动，促成互惠关系。

近期的展览包括泰国Bangkok Kunsthalle的室外声音装置“Hydroelectric Spectre” (2026), 泰国清迈deCentral的季风学校 (Monsoon School 2026), 新加坡双年展：纯粹意图 (2025-26), 美国纽约 Storefront for Art and Architecture 委任的个展 “How Much Wattage is One Handbreadth of Water ？”(2025)，以及英国伦敦建筑联盟学院的个展 “Ripple Ripple Rippling” (2024)。其影像作品荣获意大利米兰设计电影节建筑短片奖(2024) 及威尼斯建筑电影节最佳短片奖(2023)。

程婧如是2023年度美国哈佛大学设计研究生院“惠尔赖特游学奖（Wheelwright Prize）” 获得者，2020年与2018年两度获得英国皇家建筑师学会（RIBA）主席研究奖表彰。其作品曾在德国卡尔斯鲁厄艺术与媒体中心“临界区（Critical Zones）” 展览（2020-22）、韩国首尔建筑与城市双年展（2019）及意大利威尼斯建筑双年展（2018）中展出。现兼职任教于英国皇家艺术学院。

占晨是英国注册建筑师，也是艺术家、独立电影人、人类学学者。她曾任职于伦敦赫斯维克工作室（Heatherwick Studio），参与了新加坡樟宜机场第五航站楼、美国加州谷歌总部、上海 BFC 外滩金融中心、以及英国利兹玛吉癌症护理中心等国际项目。

程婧如和占晨是加拿大建筑中心-梅隆研究员。

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